Spell Breaker
Calligraphy, drawing, painting, poetry, writing Laurie Doctor Calligraphy, drawing, painting, poetry, writing Laurie Doctor

Spell Breaker

There are good spells and bad spells in the creative pattern. Lately it has been more of the latter. Even though I accept the "bad" spells, which are essential to breaking through to new ground, I am impatient. I decided to visit my friend Rodney Hatfield, and see his paintings before they were shipped off to Santa Fe. I was feeling discouraged with how long it sometimes takes to make even one painting I am happy with. Rodney has a stool at one end of his studio, next to which is a pile of scraps of paper– brown paper bags, poster paper, old photo paper etc. There are brushes, gesso and paint on the floor next to his stool. There is a hand written sign on the wall that says: "Shut up and paint", reminding him not to think too much.

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"It's an audition each time." B. B. King
Calligraphy, drawing, painting, poetry Laurie Doctor Calligraphy, drawing, painting, poetry Laurie Doctor

"It's an audition each time." B. B. King

B B King died this week. In an earlier interview, Terry Gross asked him (he was in his 70's at the time) about getting nervous before each performance. King replied:

"It's an audition each time...(I remind myself that) I'm never any better than my last concert."

I found this confession comforting, as I have wondered over the years at my persistence in having nervous anticipation before each class I teach. I have come to realize that this is how I prepare; by continuously walking over the line of what I have done before, or what I know. I like to imagine that B. B. King and I are aligned in an uncertainty about the work we are doing– and that this doubt keeps the music, the teaching, the painting, and hopefully, the audience, alive.

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Diving into the Wreck
Calligraphy, drawing, painting, poetry, retreat, writing Laurie Doctor Calligraphy, drawing, painting, poetry, retreat, writing Laurie Doctor

Diving into the Wreck

Diving into the wreck is from a poem by Adrienne Rich. I find diving a necessary, and often inconvenient, part of being a maker.

For example, right now I am in the middle of big paintings, medium-sized paintings and small paintings, and various sketchbook studies. Everything is out: Watercolor, acrylics, ink, house paint, and oils. I have dreams of swimming laps with layers and layers of clothes on, and how slow and heavy it feels! There are moments of illumination in my studio, but I am burdened with all these unnecessary and heavy clothes. My dream illuminates those familiar mind struggles: This isn't working! What about some cadmium red? Is this finished? Shall I change my vocation? What about becoming a private eye?

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Some Questions Worth Wondering
Calligraphy, drawing, painting, poetry Laurie Doctor Calligraphy, drawing, painting, poetry Laurie Doctor

Some Questions Worth Wondering

One advantage of meeting up with other makers in a friendly atmosphere, at lunch or in a workshop– is that we can rediscover that we really are all in the same boat– that none of us, no matter how accomplished, are in a sublime world where paintings appear out of nowhere– (well, rarely, but not until one has been working for a long time).

Today I am thinking about some questions that work for me when I am struggling in my studio– but I begin by vanquishing this question:

What will people think?

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Spontaneity and Improvisation
Calligraphy, painting, poetry Laurie Doctor Calligraphy, painting, poetry Laurie Doctor

Spontaneity and Improvisation

I am teaching two day classes at our local art store. In spite of my initial resistance to the cramped quarters and short time frame, it is rewarding. I leave with a full heart from the students that show up and the generosity of Preston Arts. It is a community art store run by artists, and owned by a man who strongly resembles Mr. Rogers (one of my heroes). There is the coffee and danishes all set up for us each morning, with a warm greeting from Mr. Rogers at the beginning of class, and handwritten signs and class lists that could be from the 1950's.*

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Wandering

Wandering

As many of you know, Steven and I have designated "Sabbatical Sundays" as the day we turn off our cell phones and computers, and find another way to enter the day. As much as I love solitude, it is curious to see the extent to which my mind is captured by the impulse to check this or that on my gadgets– fingers and a mind that resist being still. You could say that these Sundays are a kind of mind experiment. One Sunday Steven woke up and said "Let's go east!" This is the day of the week we often get in the car and head out on adventures without the advantage of GPS– and both of us having a tendency to get lost. So without any plan, we left before breakfast and drove through the rolling hills of central Kentucky. I was captured by all the old tobacco barns with the "hex" signs.

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New Year's Eve Tidings

New Year's Eve Tidings

This morning before first light, I was greeted by the hoo-hooing of a pair of owls outside our window. I had gone to sleep reading Jung's "Memories, Dreams & Reflections", and his thoughts on death, alchemy and eternity. Perhaps these ideas are more prevalent with the ending of another year, and the mystery of what is beginning. This poem from Rumi came to mind:

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Making Order Out of Chaos

Making Order Out of Chaos

Everyone has his or her own way of working. For me there are times when I need to step back from the creative chaos that has taken over my studio, let the paintings germinate, and re-create order. This is the phase I am in now. I began this week by cleaning, organizing, sorting– letting go of things I no longer need. This is a somewhat difficult task to stay focused on, as all along the way I come across scraps of papers with phrases like: “old and broken boat” and “the festal intention of these flowers was revealed” * – with no note about where these words came from. Without knowing what it means, something happens when I ponder the festal intention of the flowers. I feel lighter.But it’s almost Thanksgiving, and I must get back to creating order, making room for something to happen.

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Mind of Winter
drawing, painting, poetry, retreat, writing Laurie Doctor drawing, painting, poetry, retreat, writing Laurie Doctor

Mind of Winter

Sometimes I catch myself thinking (with frustration)– what is the next great idea I can come up with for my work? Then I remind myself that paying close attention to the ordinary, the common things– that this is where the magic resides. And this is how I open my eyes.

I was disturbed by the "tree eating machines" that were taking down our ash trees, stricken with the Emerald Ash Borer, and went out for a walk. I went off the path in the woods and found a fallen ash tree lying across the field. When I removed the bark, I discovered these beautiful patterns:

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