Invocation to the Night
Calligraphy, drawing, painting, poetry, retreat, writing Laurie Doctor Calligraphy, drawing, painting, poetry, retreat, writing Laurie Doctor

Invocation to the Night

This morning the full moon is on the floor of my sitting room– making me reluctant to turn on any lights. There is no other light like moonlight.

I look forward to this time of year, heading toward the winter solstice. It is the pull toward night, seeing the stars and milky way, and the silence of the desert that draws me back to Ghost Ranch, where I have been going for over twenty years.

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Why Make Art?
Calligraphy, drawing, mythology, painting, poetry Laurie Doctor Calligraphy, drawing, mythology, painting, poetry Laurie Doctor

Why Make Art?

Why make art? This is the question that was posed for a group of us who met for lunch this week:

Two poets, a composer, a psychotherapist, a sculptor, a graphic designer, a drawing professor, a painter and a calligrapher. It was such a lively conversation! There were many different strands to our talk, so I will take just one today.

One of the people in our group had decided to quit making, and caused me to ask myself again: Why am I a maker?

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But what does it mean?
Calligraphy, drawing, painting, poetry, writing Laurie Doctor Calligraphy, drawing, painting, poetry, writing Laurie Doctor

But what does it mean?

Last night we got to hear Tin Can Buddha in Frankfort, Kentucky. There were 17 musicians and perhaps one rehearsal before their performance at The Grand Theater. They played music– (and were so playful together)! The spontaneity, skill and liveliness was intoxicating. The joy from the musicians finding their way with each other in the moment infused the audience with their exuberance. We did not want it to end. To stop and ask what it all meant would have deprived us– we were in the experience (of whatever it meant) with them. We were "inside the song".

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Calligraphy, drawing, painting, poetry, retreat, writing Laurie Doctor Calligraphy, drawing, painting, poetry, retreat, writing Laurie Doctor

On Time: It is better to have loafed and lost than never to have loafed at all. –James Thurber

Perhaps a more accurate title for our class in Italy would be: Sketching, Watercolor, Wine and Loafing. This photo is taken on the streets of Orvieto, as we sat and listened to these lively musicians, sipping our cappuccino. We were stopping along the way to the duomo, which has (among many other overpowering delights) a black and white zebra pattern to the marble.

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Wandering in Umbria: A workshop at La Romita School of Art
drawing, mythology, painting, poetry, retreat Laurie Doctor drawing, mythology, painting, poetry, retreat Laurie Doctor

Wandering in Umbria: A workshop at La Romita School of Art

The sense of local, of what is particular to a place, along with the absence of chains, of Starbucks, in itself is a delight In these small Umbrian towns. Back home, I am longing for my coffee to taste like it does in Italy- and to have the sense of history, art and time that is embedded in stone here.

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King Minos and the Minotaur
Calligraphy, mythology, painting, poetry Laurie Doctor Calligraphy, mythology, painting, poetry Laurie Doctor

King Minos and the Minotaur

When I was nineteen I had the opportunity to take a break from my studies and travel to the Greek Islands. I arrived by boat on a misty full moon night in March. Off the coast of Santorini they were digging for the “Lost Atlantis”. My studies of mythology, and how it is mixed with history, came alive– and I felt myself to be in a story (that was then and the feeling hasn’t left).

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The Taste of the Apple
Calligraphy, painting, poetry Laurie Doctor Calligraphy, painting, poetry Laurie Doctor

The Taste of the Apple

The taste of the apple does not reside in the mouth of the eater– neither is it in the apple itself. It requires the exchange between them. 

Jorge Luis Borges quoting Bishop Berkeley

This quote captures the essence of the creative pattern.

The muse, as creative inspiration, enters. She is not in us alone, or in our work– but in the mingling between the two. This adds a third aspect, the other, and the creativity of the number three– as indicated in the painting you see.

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Acting As If
Calligraphy, painting, poetry, retreat Laurie Doctor Calligraphy, painting, poetry, retreat Laurie Doctor

Acting As If

Sometimes when we are faced with a difficult task (or person), even one that seems impossible, it helps to change what we call it, or how we think about it.

I was listening to Ellen Langer, a psychologist and writer from Harvard, who has done many studies on the power of how we name, or think about something. For example, she did a famous study on people in their mid to late 80’s (back when 80 was 80, not the new 60). In this experiment all the people involved went on a retreat together where the entire atmosphere was created as if it were 20 years earlier. The participants were asked to fully enter into this world in the “present”, as if they too, were 20 years younger. At the end of the study, their hearing and eyesight had improved, they had renewed energy, they had essentially become younger! Another study was with chamber maids who spent the whole day on their feet, but worried about having time to exercise, and could not lose weight. In this study they were told to change their thinking about their work and name it exercise, and lo and behold, they lost weight! (This also relates to the difference between doing something mindlessly, and doing it mindfully– just noticing what is happening).

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Dream Drumming
Calligraphy, painting, poetry Laurie Doctor Calligraphy, painting, poetry Laurie Doctor

Dream Drumming

I heard Paul McCartney being interviewed on the radio about his new album. The interviewer asked him: How did you come up with this title for your song On My Way to Work? Oh, said Paul, once you have a title, you have somewhere to begin. You can start filling in the novel, or adding words and melody to your song. His title, based on the name of one of Damien Hirst’s paintings, flooded him with memories of the time before the Beatles, when he rode a two decker bus to work.

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